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When Olympus introduced the original Micro Four Thirds PEN E-P1 almost 4 years ago in June , it was the first mirrorless interchangeable lens camera to adopt a compact, 'rangefinder-style' body that made no pretence to look like an SLR. It also saw the company striking out in a direction it's followed ever since - designing attractive yet capable little cameras that consciously draw on its long-running film camera heritage.
It includes many of the features that made the E-M5 such a compelling package, such as the same 16MP MOS sensor, advanced '5-axis' in-body image stabilization now with automatic panning detection , 9 fps continuous shooting, and tilting rear touch screen. One key change compared to previous E-Px models is a rearrangement of the controls - gone are the thumb roller and tiny rear dial, replaced by 'proper' front and rear dials that protrude horizontally from the top plate.
The E-P5 features what Olympus calls a '2x2' dial interface: a small lever on the back of the camera switches these dials from controlling exposure parameters to changing ISO and white balance.
If you don't like this arrangement, the lever can be customized to a couple of other options described later in this review. This is aided by the addition of an ISO equivalent 'LOW' setting, although this will likely come at the expense of some highlight clipping.
The E-P5 also offers a fast startup time of just 0. In traditional Olympus fashion the E-P5 gets a few new features compared to previous models.
There's a 'Super-spot AF' mode that allows extremely precise positioning of the AF point when using magnified live view, very much like the one seen on recent Panasonic models. It gains timed intervalometer shooting, along with the ability to assemble time-lapse movies in-camera.
The Live Bulb mode, that allows you to monitor the progress of long exposures while the shutter is open, now features an on-screen histogram to help monitor exposure build-up. The image stabilization system is also now always active by default, to provide a stabilized live view feed especially useful when using telephoto lenses. This is essentially an extension of Art Filters, allowing you to generate multi-image composites rather like the pages of a photo book, in a wide variety of themes.
It may not be something enthusiast photographers will use all the time, and arguably better suited to lower-end PEN models, but it's good to see Olympus continuing to come up with new ideas. The E-P5 comes in three colour schemes; black, silver and white. The all-black version that we've shown in this review has a textured matte finish which we expect will be appreciated by street photographers - it looks particularly fine when coupled with the black versions of the M.
Zuiko Digital 17mm Zuiko Digital 45mm Zuiko Digital ED 75mm The camera also comes in a very handsome silver-and-black finish that harks back to Olympus's classic cameras from the s and '70s, and a white version with a beige grip. Olympus will also be offering a limited edition model with a wooden grip, and a range of premium accessories such as leather cases. The E-P5 will be available either body-only for approx. Zuiko Digital mm Zuiko Digital 17mm F1. Hi all Pen E-P5 users I recently bought this camera with firmware 1.
Anyone done this before? Cheers and happy shooting. I recently picked up this camera from my local bricks and mortar camera store. I will be posting a review in a few weeks after I have had time to take some photo's make some prints and do some comparisons. So far I see no evidence of so called "shutter shock" at the relevant shutter speeds and I am not using any of the special anti-shock settings Firmware Ver.
But then again, I never saw them on the E-pl1 either. Something I'm curious about In the studio scene the E-P5 seems unable to resolve the king of club's hair, something which the E-M10 does easily and the GX-7 too , and in fact the image seems slightly soft throughout. I've not noticed this softness in other images from this camera, but since I'm trying to decide whether to buy one I'd like to know if there is any other explanation! Well, it's good to hear Olympus got around to trying to fix this issue in the E-P5.
I wonder if the same will happen for their other cameras. It is essential to keep it turned off to avoid dreadful double image blur.
I have no idea why it's so much more pathetic than the IS of the E-PL2 poor, but not normally harmful to sharpness except with telephoto lenses and E-P2 quite good at times. Good news! Just received an info from olympus service Europe that a new firmware 1.
As a matter of fact, the metering display bug introduced by FW 1. After the fact is doesn't help much. While Olympus is working on a fix - I would definitely like to roll back to FW 1. Very frustrating. I agree Paul. I too have observed the same metering display problem on my camera after upgrading to 1.
Is Olympus aware of the problem? My discussion with oly service in Germany lead to the fact, that they ackowledged the problem after few hours and said, they communicated it to Japan. It is all about setting priorities. As long as only few people complain, oly might prefer to work on other projects, whatever the severity of the bug might be. I updated two day ago, and see no problem as described.
I updated with the VF4 mounted, maybe that could make the difference,or Oly already made a patch? But, well, the fix is annouced to be released within the next days. You certainly have the original FW 1. The fixed version should be FW 1. Perhaps it is best just to wait now - since it has been confirmed from various sites, oly is really working an a short term fix.
For the time being I activate live histogram - so that a force the camera to show the actual exposure settings. For me the workaround is having the histogram on, and wait for the 1. However Olympus could have made the menu implementation of the anti-shock simpler and lamentable documentation of the feature much better.
Thank goodness for various reviews which documented and illustrated how to implement. The menu system for this camera must be the most convoluted and obscure ever. Unfortunately FW 1. I would be happy if I could! But that seems to be impossible I have never "road tested" the EP5 - but what is significantly different in its mechanism than the EP2 that causes this blurring?
The E-P2 was merely a quick update to the E-P1. Okay, grain boundaries were hit very quickly, but that was not a big issue. I used to have ASA kodak negatives published at A3 - the vagaries of the printing process for all but the most expensive publications hid a multitude of sins - lpi on poor stock and cheap ink was the norm. I now have a PEN an old EP2, no rush to upgrade - and it's still important to have a range of possibilities when shooting offset litho is much better in the digital age too, so resolution and grain are important.
Of course, I could buy a full frame camera - but I have never liked bulk and don't fancy lumping those ridiculously ugly plastic bricks about. Its all a happy compromise, as ever. Does anybody remember Kodachrome 25? It was a very slow film that, given a decent camera, produced smooth, sharp slides, with great dynamic range.
That's ISO 25 folks. The reason we all craved fast lenses was so we could use un-speckled films with greater freedom. That's the point, wide latitude to shoot. It's why we badmouth the odd camera--it takes away our freedom. On an entry level SLR, f1.
So here we are, electronic sensors that take us out to ISO without much noise, and a step more with heavier noise reduction that steals a bit of detail. Typical kit zooms nowadays all start at f3. That is two stops slower than f1. Have it all. The standard primes used to be quite inexpensive. The marketing department sticking it to us is what happened On the other hand it is great fun shooting in candle light with my M at ISO or above and f0.
I still use Kodak T-Max in my M4 but film grain is somehow much more acceptable than digital noise. The reduction in the noise of sensors over the last few years increases possibilities of imaging by a lot. That means the shake problem cannot be fix when sequential shooting. Of course you drop rate to about fps at H Sequential. Now year later E-M1 is receiving a fv4. In any case there seem to be still 2 shutter movements. One before and one after the exposure.
Side remark: Despite of extensive testing I have never been able to find clear evidence of shutter induced blur with FW 1. And I don't see a clear improvement in this respect with FW 1. Any Ideas or observations?
Thanks, Paul. Sensor is then reset via electronic first curtain and the exposure ends in a regular way with mechanical 2nd curtain. I assume that 25ms difference is hard to observe by hearing.
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It could be key to actively communicate the issue to the oly service department so that the issue gets priority. What do you think? PN: Oly service Europe meanwhile acknowledged a a second statement, they can reproduce the bug and communicated it to japan I don't think the problem is specific to updating directly from 1.
I'm pretty sure I had 1. Well I think I did anyway, can't say for sure. I updated 2 h ago. When I set to A mode the S value is live when I move the camera - and so on in the other modes. It counts both for the display and the VF 4, which I had mounted during the update.
Did I misunderstand something? So you are lucky! Both seem to force continuous display updates? Or is it due to the fact you are using VF 4, which I don't have? Perhaps we can learn from your configuration and find a workaround until a bugfix is available!
It sadly won't change the way DPR rates the pen. The ratings are just that, ratings. Ever had the increasing feeling that the ratings are strongly influenced by personal bias? It would be nice if ratings were totally objective, yes. Even when a consistent attempt is made for objectivity, small mistakes are made because there is a need for subtle snobbery felt as a means of asserting a high ground that is appealing to readers, the currency of credibility and an assurance to the like-minded that you haven't lost yours.
Each statement gets equal weight regardless of merit. Now as far as the PEN goes. I had one, but it got stolen, and I am thinking about getting another It does seems that the hard points on the camera map are the DSLR and Pocket Camera, and that everything in between seems not so quite well established, like there is a period of experimentation whilst the jury is out.
There are some great answers and the PEN is one of them. There is a market and ALL the camera companies are running a business, so it should not be a surprise that polemics are a part of the game. It is ideal to just leave the antishock on all the time.
At higher speeds it's not used, even if turned on. Thanks for reviewing the E-P5 again. Although I don't agree with the results. Your gold award is not granted because of the inflation of the camera within the year. That's fine, but if you compare the camera with the A comparison I can clearly see blurred backgrounds because of the shuttershock or other issues as well. Even the A7r flagship is having trouble with this issue it seems Nice job, Olympus!
My dream camera is one that doesn't have this problem from the start. This problem existed on my OMD EM5 and cost me quite a number of great shots, one of the many reasons I sold the camera besides paint coming off after a few weeks, the well documented screen crack issue, etc. Nice job Olympus? How about offering a replacement for what I see as a manufacturing defect. I suppose they could take your camera back, upgrade the firmware, and return it to you.
Problem fixed! Of course I realize your camera is only 18 months old, so you will demand a fresh one. Or you could just switch to a nice Nikon D It is still unclear to me whether the OM-D E-M10 or the Pen E-P2 and others so far not addressed with this fix will get or should have this type of fix.
DP Review's assurances on this isssue being fixed as far as the M10 is concerned are conditioned quite rightly in their review by the phrase 'in our testing'. And not a thing from C. Nishino on the subject or anyone else at Olympus see below.
Once again this loyal and long term customer waits for a positive and constructive response. At some point, looking too hard for problems make the results irrelevant in average, real-world uses. Anti-Shock setting, so for E-M5 users this would be welcome too but I'm not sure if this will happen at some point in time. So, Oly made a less than stellar camera. It will be interesting to see if they can actually fix this problem. Regardless, Oly's performance and product development over the past decade, or so, has been first class.
For the sake of the good will the company has developed, I hope there is a fix. If there isn't, I hope Oly is treated no more or less harshly than the big two. You want to know if they can fix a mechanical issue? I believe they have made a reasonable result within the firmware for this situation that appears to be a very usable fix.
You can't do that to fix for oil splatters on sensors by another camera maker. At least Olympus replaced my display bezel with a tiny insignificant crack from a slightly over tightened screw on the E-M5. This is something that should have been caught in the testing department at Olympus.
Nikon has been replacing whole cameras with dust spots on sensors without admitting there was a problem. For them it involved an unpublished design change and a quick change to a different model number to give everybody something else to think about than focus on something Nikon missed.
Mistakes and problems occur. When computers are involved, a problem is called an "issue" to mask the seriousness of the problem. The problem with problems is that, unlike issues, sometimes there is no solution, short of redesigning or replacing the product. No company is perfect, and at least with Oly a simple if rather late forthcoming firmware upgrade fixes the problem. The unfortunate thing is that this issue was found on the E-P1 five years ago.
Olympus has had five years to solve this problem. Even more embarrassing for Olympus, is that dpreview and Imaging Resouces has become the quality control department for Olympus.
To be honest, shutter shock, and mirror shock have been problems with a lot of cameras, even before digital. The tiny size of the mirrorless cameras are making the problem worse, and as you can see, companies are slowly dealing with the issue. Once shutters go away completely it will be a moot issue. The transition phase is however, unpleasant. I'm not saying it can't be done, but it was easy to apply the fix on the E-P5 after first doing it on the EM1.
Just to point out a typo in line 4 of the final para of the updated review: 'received' not 'recieved'. Infared I don't think you know what that means. The correct term would be "Grammar Nazi", tho DPR are always appreciative of people pointing out mistakes in their articles. Personally, I do not think I am kind of a "Grammar Nazi". But I think that good communication between people starts with speaking the same language.
And "same" implies "correct" because bad English is not equivalent to good English. English is not my mother tongue but I always try to do my best to detect and correct my own typos Doing so is just being respectful of my readers Also, I would have thought it would be "Spelling Nazi".
Or is it too intrusive? Can't attest to the EP5 but on the EM1 it works perfectly. As you know "anti-shock 0sec" for E-M1 has been updated and we believe that this update can help to resolve the shutter shock issue you mentioned. However, we are planning to update the firmware for E-P5 similar to "anti-shock 0sec" as well. Please wait for the update to be released for a while. We are sorry but we are not able to tell you when the update will be released at this point.
Please check Olympus homepage from time to time for the latest information of firmware. We appreciated your kind cooperation and understanding, looking forward to see your satisfaction on our service and product. I'm not sure if buy E-PL5 again or go to this beauty with the extra cost. I have 17mm f1. My wife will love photo story and wifi connection for her whats app groups she does not have facebook will it work straigthforeward?
The m43 75mm f1. I'd use the 60mm Macro since it's in the same ballpark as the 50mm with regards to sharpness.
Does focus peaking require electronic coupling between camera and lens?? If it's like the E-M1, I think you have to set focus peaking to a function button. Dig in the menus and reassign one of the buttons to do just that.
The camera doesn't know when your manual focusing with legacy glass, you have to tell it through the function button. Hmmm -reminds of certain brand with purple spot issues that got high ratings somehow This cameras pretty convenient and the qualities nice. And adapters are ok to play around with cameras, but definitely not convenient for serious shooting. Manual lenses can work fine for sports. Just ask the Sports Illustrated photographers from the 's.
Just an amazing camera. Mine is in for repair right now as the main dial was not changing info on every click I have no shutter shock issue that I can find, tho. Tested in all the modes, shutter speeds with MANY lenses I believe this may be a manufacturing or a batch issue I think Olympus needs to be responsible to its loyal customers and issue a statement or fix? BOTH of these situations are widely documented on the web C'mon Olympus I totally avoid the Panoramic auto detect mode out of paranoia from reading about this "issue".
Hi, I have noticed my E-P5 front dial is starting to only sometimes change settings, or do its job, sometimes it does nothing. I googled it and this comment of yours came up first. What country are you in, and has Olympus given you any trouble over this warranty repair? Have you heard if it is a common problem with the dials going bad? I haven't seen any shutter shock either.
I wonder if it is more common for users who don't use a viewfinder. DPreview editors, could you please enlighten me us how to activate the tone curve settings? I haven't been able to get to the secret chamber Page 14 of the review Image Options explains this: However, rather than offering the OM-D's handy in-viewfinder tone curve diagram, the P5 requires you to press the exposure compensation button, then the INFO button, then use the left and right buttons to adjust the shadow response.
Pressing INFO again changes attention to the highlight portion of the curve. But first, make sure that you have dedicated one of the camera's buttons to exposure compensation. I am still struggeling. The camera was at Olympus for the second time. They changed the complete CCD unit this time. But the issue is still there. Sometimes I shoot 10 to 20 pictures without any fault.
Then out of the next 10 pictures 5 are completely blurred. All with the same lens and settings 17mm 1. The camera focusses, I get the green focus frame and light in the upper right corner, confirming focus set to focus priority of course , I hear the IBIS working as usual, but the picture is not sharp. Check these pictures, the were shot in a sequence within a few minutes:. I am not sure if this is 'shutter shock' or another fault during taking and processing the picture.
My test at 42mm 84mm ff eq. A far more comprehensive test in the following link also revealed no such issue whatsoever:. Any news from the shuttershock issue cameras?
I own the camera for 3 months now, but I don't have a telelens. Till 60mm I don't have the shuttershock issue when using the right technique of making images That was a lot easier with my nikon D and D ;- But on the other hand, try to make a nice shot with the D and the mm macro attached!
With a shutter speed of it will be quite difficult to make a sharp image. And have you tried it with a mm handheld? No chance all of making a sharp image with shutter speed 80 or so. I'm getting used to the EP-5 now, and to be honest I like it more and more! Have used the EP5 for a couple of months now and have not experience the shutter shock issue some users have reported.
I am wondering if the issue reported may be batch dependent? Goodbye ep5. The blurring of images is totally unacceptable. Too many ruined photos. Shame, loved everything else about it. I won't be buying another Pen - they have obviously dropped the ball with the QC on the pen line. Having had the E-P5 for three months, I've re-read your review and make the following 2 comments. That setting is for Landscape Panning. For the photos in your examples, the general IS-1 would be appropriate.
If your problem is vertical use IS If horizontal use IS The last length I entered. If I mount a Sigma 30mm, 30mm appears at the top right of the screen. The stabilizer setting remains at 15mm.
Which is why I change the stabilizer setting the match the lens. I don't suppose this would be relevant, unless pixel peeking is practiced, but if the stabilizer automatically recognizes a native lens, why does the recorded stabilizer setting not change automatically? The stabilizer focal length setting will always show the last focal length that was manually set. When using a native lens though you should notice that the FL in the bottom right corner is grayed out meaning it's not being used.
It only becomes active white when using a non native lens. So I read the review. Are you sure that is not caused by Parkinsons? The stabilisation should take care of any roller blind shutter slap. The first of the sample videos is plain over-exposed not uncommon in that kind of setting. The second sample has no bass in the sound when compared to my SH videos , suggesting the wind shield setting was at its highest. I get the impression the reviewer does not like video anyway. The level of customisation possible is stupendous indeed, yet the P5 does not look as knob-encrusted as my SPUZ.
There's no statement from Oly Singapore as of today after my communication with them but so far the I've tried at least 4 sets of the Pen but i've not experienced the said shutter shock issue. I really hope to see the phenomenon yes, in a warped sense. Here is what I got back from Olympus support: "I also saw your second email with the sample images, thank you for sending these samples.
Please note that as mentioned on the DPreview article you referenced, this type of problem is not considered a mechanical defect of the camera, and in most case is due to vibration introduced by pressing the shutter button or vibration coming from other moving mechanisms of the camera. This can also vary by many other factors, such as lens used and way of holding the camera. To reach higher levels of sharpness in critical situations, the 'Anti Shock' function available in the Menu that can help reduce this blur.
If you feel strongly, even after using the anti shock function and tripod, that there may be something else wrong with your camera, we encourage you to send this in to our service center for testing, and possible repair or adjustments. For instructions on how to send this item to the Olympus service center". Update: Following on the release of a significant new v1. Version 1. Firmware v1. The latter was added to help prevent blurred images at certain shutter speeds - our main gripe when we reviewed the camera.
The update not only adds a trigger-only 'cable release' mode to its Wi-Fi functions, it also provides a feature to combat the biggest problem with the camera. The new '0 sec Anti-Shock' option provides a work-around for the image shake that held the E-P5 back in our original review.
Is the new firmware enough to elevate the E-P5 to the select company of Gold award winners? Find out. Olympus has updated the firmware of its PEN E-P5 mirrorless camera, introducing improved Wi-Fi remote control functionality and a '0 sec' anti-shock setting.
The latter should help prevent blurred images at certain shutter speeds - our main gripe when we reviewed the camera. There's also an update for the Stylus 1 enthusiast compact with similarly-enhanced Wi-Fi control. Both updates are available to download and install now.
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